The author provides an account of his development and experiences as both a visual (mobile) artist and a chemist. He describes the surprising similarities between the planning of the construction of a mobile and the execution of retrosynthetic analysis used to chemically create a particular molecule. The fusion of these two independently initiated mental processes into a common creative act can be referred to as a coalescence of processes. The present article discusses the consequences of this merging for both artistic and scientific practices, as well as its relevance to the artscience concept of idea translation.
or explore the book.